Loszlo Gardony
Lazlo Gardony, Laslo Gardony, Gardini, Gordony, Godorny, Lazslo Gardony, Lazlow Gardony, Laslow Gardony, Lazslo Gardonay, Laszlo Gardonay, Lazlo Gardonay, Laslo Gardonay, Lazlow Gardonay, Laslow Gardonay, Lazlo Gardoni, Laslo Gardoni, Laszlo Gardoni, Lazslo Gardoni, Lazlow Gardoni, Laslow Gardoni, Laszlo Gardonyi, Gordoni Gardoni, Gardini, Gordony, Godorny

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"Great pianist." —Dave Brubeck

"Now in 'marrying odd meters/changing time signatures with the sound and the groove of gospel, funk, jazz and rock,' [Gardony] has made a jazz piano trio disc that part of you - guaranteed - is going to want to dance to. It might not be the ordinary danceworthy parts but that's how joyous and primordially infectious this disc is. Who'd ever have thought that Laszlo Gardony would turn out to be the ultra-hip 21st century Ramsey Lewis?" —Jeff Simon,
BUFFALO NEWS

“Gardony’s muse is unpretentious yet artistic by design … Sure enough, it’s an all-encompassing musical statement that beckons repeated listens. Don’t let this gem pass you by…”
—Glenn Astarita,
EJAZZNEWS.COM

“A piano man for these times, he marries the future with tradition and sprinkles his own flavor on the proceedings for a killer set that’s sure to impress. This is the place to stop for genre fans looking for something new to blow their ears wide open.”
MIDWEST RECORD.COM

“The trio is always on the same page emotionally, mentally and physically through the musical paragraphs … Gardony incorporates music from different cultures in his compositions and the result is a splendid melting pot that displays harmonious expressions with gentle sonic compressors.” — Susan Frances
JAZZREVIEW.COM

"Armed with a piano style that encompasses Bill Evans''s elegance, Herbie Hancock's drive and Keith Jarrett's passion, Gardony's music, like the title track he composed, creates a meditative state conducive to the attainment of man's most enduring and timeless aspirations."
—Eugene Holley Jr.
(Village Voice / New York Times reviewer)

Recommended by Village Voice Jazz Consumer Guide: A (Highest Rating) —Francis Davis,
VILLAGE VOICE

“A consistently inventive player who combines an ear for melody with a strong rhythmic sense that grabs the attention of even those who normally resistant to jazz.” —Larry Katz,
BOSTON HERALD

“(Gardony) strikes a nice balance between being genuinely expressive and readily accessible on Breakout. **** (four stars)” —Bill Milkowski,
DOWN BEAT

“Buoyant good fun...An aggressive improviser ready and willing to take chances.” —Bob Young,
JAZZIZ

“The vision in his versions indicates how far he has come in mastering jazz’s major challenge, the transformation of the tradition through personal expression.” —Bob Blumenthal,
BOSTON GLOBE

"Gardony serves notice that he has arrived – not only as an original voice who has fully integrated his disparate influences, but as a player who spans the conservatory and the gutbucket without a hint of strain". —Kevin Convey,
BOSTON HERALD

“A new champion...His keyboard touch is impeccable as displayed in this compelling set of original compositions. RECOMMENDED (The Secret)” —Jeff Levenson,
BILLBOARD

“A sparkling jazz trio date...he blends the diatonic lyricism of Keith Jarrett with the modal and polyrhythmic vitality of his native land.” —
KEYBOARD MAGAZINE

“Immensely gifted Hungarian-born pianist...a classicist with a darkly romantic streak...this music somehow insinuates itself into the listener’s psyche.” —Gene Kalbacher,
HOT HOUSE

“Combining in fresh, sweepingly powerful and gorgeously lyrical ways unlike any other current jazz pianist...Gardony is treasured...for his percussive density, tireless inventiveness and consistent excitement.” —Jeff Simon,
BUFFALO NEWS

“Bill Evans to the next level.” —David Prince,
THE NEW MEXICAN

"A superior jazz improviser who infuses his post-bop music with references to his Hungarian folk roots"
—Scott Yanow,
ALL MUSIC GUIDE

“Gardony is not afraid to expand the vocabulary of his instrument...sure this is the blues, but it rarely feels this fine.” —Richard B. Kamins,
CADENCE

“His reach runs from Ellington through Monk and Coltrane, and his spins on the material are fascinating - including his hilariously dissonant, Beethovenesque reading of ‘Good King Wenceslas.” —Gene Santoro,
NEW YORK DAILY NEWS



“Laszlo’s performance at the ‘95 Monterey Jazz Festival was a breath of fresh air.” —Tim Jackson,
DIRECTOR OF THE MONTEREY JAZZ FESTIVAL

“A very sensitive pianist with an uncommon depth of soul.” —Willard Jenkins,
BLACK ENTERTAINMENT TELEVISION / OPEN SKY




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